Page 26 - ArchDC_Summer2021
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The space before renovation.      Courtesy of Studio
                                    Twenty Seven Architecture

            For Studio Twenty Seven’s offices, moving pre-
        existing sprinkler lines—laid out for a configuration
        of separate rooms—was cost-prohibitive. This put
        additional pressure to locate everything else as
        precisely as possible. The landlord and general
        contractor initially assumed, incorrectly, that it
        would all be “painted out”—a tried-and-true
        technique to ameliorate aesthetically-problematic
        service elements in exposed ceilings. But the rich color
        of the terra cotta block is critical to the character of
        the space. Accordingly, “We were very intentional
        about penetrations and routing of HVAC, wiring,
        and IT infrastructure, and locations of light fixtures,”
        said Klinner. “It was a challenge to hold everyone
        accountable [to install it per the plans]…but it        Main conference room.
        was necessary.”
            The furnishings are minimalist in character, with
        their materials and colors drawn from the rawness
        and richness of the terra cotta block ceiling and steel
        columns. The workstations, each with a generous three
        by eight feet of desk surface, are custom, as is the rest
        of the millwork and metalwork, including the vitrine-
        like installation at the “welcome” area, in which Studio
        Twenty Seven displays architectural models. Perforated
        metal panels appear in various places and recall the
        rivet patterns on the columns.
            In buildings larger than houses, structural
        columns must be fire-rated. Concrete is inherently
        fire-resistant, but steel is subject to melting in the heat
        of a fire, and thus additional protection is required.
        Drywall enclosure is commonly used, but another
        option is intumescent paint, which is a thick coating
        that, when exposed to the heat of a fire, will rapidly
        expand to a very stiff foam that protects the underlying
        material. Intumescent paint is comparatively expensive,
        but it met Studio Twenty Seven’s goal to expose and
        celebrate the columns.
            The lease was signed and most of the design
        work completed in 2019. Construction started in
        February 2020, just before the Covid-19 pandemic
        hit. There were hurried, worried discussions as to
        whether the construction should be halted and the
        design reconsidered. But it wasn’t clear (then or now)
        what form a post-pandemic office would or should
                                                                Studio space as seen from the entry.
        24                     LOFTY AMBITIONS
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