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        Merit Award in Interior Architecture

        Offices for an Investment Firm
        Bethesda, MD

        Robert M. Gurney, FAIA,
        Architect
        Interior Designers: Baron Gurney Interiors
        General Contractor: Bognet Construction

        Robert M. Gurney, FAIA, is a perennial winner of AIA|DC awards
        for his residential work. Unlike many high-design residential
        architects nowadays, he doesn’t assign the projects fancy names,
        favoring instead prosaic monikers like “Hampden Lane Home”
        or “Modular One.” The houses, however, are anything but average.
        Gurney’s brand mixes a range of bold materials to create spaces
        and houses that tread the line between architecture and
        minimalist sculpture.
                In this commercial project, “Offices for an Investment Firm,”
        the name may be bland to the point of anonymous, but the space
        is classic Gurney, constrained perhaps by the unavoidably insistent
        horizontal planes of the existing building’s floor and ceiling. Start
        with a 16-story office building in Bethesda with unconventional
        geometries created by triangular floor plates and a full-height atrium.
        Add an oddly-shaped suite on the 12th floor. Finish with an
        inventive floor plan extended to the third dimension (height) and
        composed of a palette of strong, distinctive materials. The entire
        experience of the office is fresh and stimulating.
                Gurney critiques the more standard office layout as consisting
        of “oversized, glamorous entry areas and large, underutilized
        conference rooms that frequently have the best light, the most
        windows, and prominent views,” to the detriment of the employee
        work spaces. In response, in this project he located almost all the
        employees in private offices along the perimeter. The public zone,
        separated from the employee area by an 85-foot-long, curving wall
        of hot-rolled steel plate, grabs some soft light from the building’s
        atrium for the reception area and conference room.
                Circulation follows the curve, while the offices pick up on the
        triangular geometry, with “blades” of wood alternating with glass
        panels and doors. A trio of flooring materials—soft gray carpet;
        bleached, wide wood planks; and limestone squares—provides
        variation and defines functional zones. The walls, similarly, have six
        finish options: the black steel, glass with super-thin aluminum
        frames, horizontal wood boards (stained to exaggerate the graining),
        light wood panels, white-painted drywall, and ultra-saturated blue
        epoxy. In each case, the detailing of the material is distinctive and
        precise. The steel panels, for example, have small clips that create a
        subtle grid of dots, while the wood panels are offset by reveals
        between the panels and at the floor and ceiling.
                With just 11 desks, this is not a large office. The interior
        architecture embodies the high-end “boutique” character of the
        investment advisory business. Gurney wrote, in the competition
        entry: “Ideally the goal is to change perspectives physically and
        psychologically of both the visitor and the daily user, to create an
        environment that is pleasant, inspiring, and productive.” The
        awards jury felt that he succeeded, noting the expert “manipulation
        of space.”



           36                     BUSINESS ACUMEN                           Circulation space in the Offices for an Investment Firm.
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