Page 58 - Summer_2019
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ArchDC Summer 2019.qxp_Spring 2019  5/22/19  3:01 PM  Page 56


        interior is lit at night. It really puts the sanctuary up on display
        and celebrates it as a sacred space, almost like the church is
        inside a display case.” As a result, “the glass wall allows a visual
        and spiritual connection from inside and out.”
                The window wall and the building’s other large windows
        “were our top priority as we envisioned our new building,”
        Clark said. “We wanted light and visibility and connection. We
        wanted to see the world around us, and for the world to see us
        at worship and in our life together as a community of faith. The
        expanse of glass is literally our window onto the world and the
        spiritual lens which connects us with God’s created world as
        well as with the life and needs of the neighborhood and city
        around us.”
                The building “has improved our ability to conduct services
        and ministry programs in ways that we never were able to in our
        previous building,” Clark said. The new design “is completely
        accessible, with a ground-level entrance, an elevator to the second
        floor, and accessible restroom facilities on both levels. We have
        doubled our classroom and community meeting space and
        added a commercial kitchen. Together, this has deepened and  The entry area is centered on a historic font, believed to date to the 11th century.
        enhanced our ministry of hospitality. We are able to offer a
        welcoming and inclusive space for individuals and community
        groups of all ages and abilities, and serve as both a spiritual
        home and community gathering place for a broad range of activities
        and programs.” The acoustics in the sanctuary, she added, “have
        caught the attention of several artists, and we have been able to
        grow our year-round offerings of music, dance, and theater, as
        well as provide rehearsal, gallery, and performance space.”
                St. Augustine’s members “are coming to understand our
        place as a neighborhood church with a 50-plus-year history and
        a new building at the crossroads of a rapidly changing and
        developing area of the city,” she said. “With the legacy of having
        Thurgood [Marshall] and [his wife] Cecilia Marshall as part of our
        founding parentage, we have continued to stand as advocates
        for economic and racial justice for our most vulnerable Southwest
        DC neighbors, especially as they find themselves in tension with
        the transformation of large portions of their community.”
                Noting that the church went through its own period of
        dislocation between the demolition of its old building and the
        construction of the new one, the congregation is now “walking
        into a new life together in a new building, with renewed mission
        and changing ministries,” Clark said. “We are committed to the
        work of ensuring that all residents—old-timers and newcomers—
        benefit from this neighborhood transformation and remain
        included and welcome in the growing waterfront family.”




















                                                                The small chapel just off the main entry area has a large window facing the street.
           56                     A CHURCH LEANS IN TO THE CITY
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