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ArchDC Summer 2018.qxp_Summer 2018  5/25/18  2:13 PM  Page 37


        In car talk, “manifold” can refer either to the engine part
        that distributes a mixture of fuel and air to the cylinders,
        or to the component that collects gases from the cylinders
        and funnels them into the exhaust pipe. The automotive
        term inspired both the name and the design of the
        Manifold House, a project in North Arlington by David
        Jameson, FAIA. The client, who works in real estate by
        day, enjoys repairing small-scale engine parts in his spare
        time—especially those of classic Vespa motor scooters,
        which he buys and restores.
                “The client grew up around development and
        building,” said Jameson, “then went to Florida Southern
        [College], where a lot of the campus was designed by
        Frank Lloyd Wright. He developed a passion for things
        that are made in interesting ways. So I thought, ‘Why
        don’t we make a building that is about the act of making,
        and celebrates the industrial process?’”
                Few things are more quintessentially industrial than
        steel. Ever since 1856, when Sir Henry Bessemer introduced
        his eponymous method of making inexpensive steel by
        forcing air through molten iron, the material has been
        associated with numerous technological advances.
        Among these was the steel structural frame, which was
        critical to the development of the earliest skyscrapers in
        the 1880s.
                 The Manifold House evokes a steel-frame skyscraper
        turned inside out. Instead of a masonry or glass curtain
        wall hung on a structural frame hidden from view, this
        house consists of a glass box set within an exposed
        framework of weathered steel. Adding another twist to
        this unusual arrangement is a series of vertical steel fins
        projecting at various angles, creating a sense of movement
        even though they are all fixed in place. Like the famous
        metallic screens by modernist sculptor Harry Bertoia, the
        house’s louvered frame produces an intricate pattern of
        light and dark, of opacity and transparency.
                 The lively composition of the louvers is not arbitrary.
        It reflects numerous rounds of careful study by the design
        team, taking into account optimal solar shading as well
        as views into and out of the house. Seen from the street,
        the structure appears quite solid, but from inside, it feels
        remarkably light and airy.
                The framework was largely prefabricated by Zahner,
        a Kansas City-based architectural metal manufacturer
        whose products have been used in high-profile buildings
        by Frank Gehry, FAIA, and other famous architects.
        Although the Manifold House consists of only two stories
        (plus a mezzanine) above ground, Jameson designed the
        steel armature with four tiers of two different heights.
        The deliberate discrepancy between the layering of the
        armature and the cross-section of the house reinforces the
        conceptual independence of the nested volumes.   Weathered-steel armature surrounding the Manifold House.
                 The main living area, dining area, and kitchen occupy
        a linear, double-height space running the entire length of  Project: Manifold House,,
        the house. A dramatically suspended fireplace punctuates  Arlington, VA
        the space and acts as a subtle divider between the living  Architect: David Jameson Architect
        and dining areas. Parallel to this grand space on the  Structural Engineers: Wallace Engineering
        ground floor is a band of support spaces including the  Contractor: Sagatov Design and Build



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