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ArchDC Spring 2018.qxp_Fall 2017  2/22/18  9:15 AM  Page 72


            Space4: Arts, installed at the Yards in Southeast DC.






































             Making Room
             Making Room




             for Art
             for Art




             Pop-up Installations by Architects


             by Peter James, AIA, LEED AP BD+C

        Architects typically design buildings to last 25, 50, or even 100  Space4: Arts
        years. In Washington, a city that celebrates monumentality and
        permanence and sometimes shies from controversy (in its buildings,  CulturalDC, a non-profit that supports the local arts scene, first
        at least), designers don’t often get the chance to experiment with  hatched the idea for a mobile art gallery during an internal strategic
        temporary forms or topical content.                     planning effort. “Our mission is to make space for art, to invite
                The local arts scene is also constrained by the high cost of real  people in,” said executive director Tanya Hilton. She continued,
        estate. Further, the city’s well-funded museums, theaters, and   “What better way to build and collaborate than to bring art directly
        performance halls showcase canonical artworks of national and  to doorsteps in neighborhoods and parks in DC?” CulturalDC
        international prominence, leaving little space for local, home-grown  envisioned this mobile art gallery rotating among all eight
        art to be seen.                                         District wards—bringing art to unexpected places and
                 Two recent pop-up arts installations designed by architects  underserved communities.
        challenge these trends by creating temporary, interactive spaces            The next step for CulturalDC was to find a design partner who
        for art in unexpected sites well outside the city’s monumental core.  would help them realize the vision—and be able to work on a pro
        These small-scale yet ambitious projects, made possible by generous  bono basis due to limited project funding. Hilton said, “We went
        in-kind donations of labor and materials from designers, contractors,  to STUDIOS because we have collaborated with some of their
        and suppliers, create new spaces for art and invite new voices to  architects on public art before, and they are just as committed to
        the conversation.                                       arts and community as we are.”



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