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        The Oprah Winfrey Theater, with screens similar to those on the building’s exterior.         Photo © Alan Karchmer/NMAAHC

        culture of a specific ethnic group, the stakes are even
        higher, as constituents understandably take a strong
        interest in how their lives and experiences are represented
        to the world. Moreover, any project involving a coalition
        of no fewer than four architecture firms—each already
        enjoying a well-established reputation—is inherently
        fraught with the potential for creative squabbling and
        inertia. In short, there were many reasons why the
        NMAAHC could have gone disastrously wrong.
                 It didn’t. The new building is a worthy addition to
        the Washington’s monumental core, and its content is
        likely to leave most any visitor awestruck. This is largely
        a tribute to the design team members, who were diverse
        in terms of ethnicity, socioeconomic background, and even
        nationality, but united in expressing a strong personal
        feeling that working on this project was a singular
        opportunity that also entailed profound professional and
        cultural obligations. “As an African American architect,”
        said Philip G. Freelon, FAIA, LEED AP BD+C, whose
        firm was recently acquired by Perkins+Will, “I felt a great
        sense of pride working on the museum. I also felt
        responsible for delivering a successful outcome.”
                 “I go past the museum almost every month now,”
        said Adjaye, the lead designer, “and I still can’t absorb
        the thought. You realize the power of a political and
        socially charged space. It is a rare and special moment
        when architecture has the opportunity to connect to the
        ethos of a people in such a palpable, discrete way.”
                 The success of the project is evident in the flood of
        visitors who have been flocking to the museum since it
        opened, spending many hours there engrossed in its
        exhibitions. Often moving and at times almost over-
        whelming, the NMAAHC demands a commitment not
        only of time, but also of emotion. The payoff, especially
        for the people to whose history and culture the institution
        is dedicated, is the opportunity to find a little bit of
        themselves enshrined in the symbolic heart of our nation.



                                                           Precisely framed view of the Washington Monument  Photo © Alan Karchmer/NMAAHC
           26                     A DREAM DEFERRED NO MORE  from one of the upper levels of the museum.
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