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alterations to a covered property. Zapatka was able to add a
        large shed dormer to bring daylight to one of the new third-floor
        bedrooms facing the rear. He also obtained the trust’s approval
        to build a gable on the front of the house, which had been part of
        J. Edgar Sohl’s original design, but the clients ultimately decided
        not to pursue that addition. Whereas previous landscaping
        included the typical bushes right next to the house, which
        muddied the impression of the architecture, the new landscape
        design is much neater and crisper, allowing the house’s form to
        read more clearly.
            This renovation involved challenges that are common in
        projects involving historic buildings, most notably the existence
        of previous alterations that must be reconciled both to the
        original architecture and to current needs. In this case, three
        distinct eras in the house’s nearly century-long history now
        coexist comfortably.

        The author thanks Kathy Orton, of The Washington Post, for
        information regarding some of the house’s former owners.
                                                                Front façade and yard of the renovated house.
























































        Rear façade and yard.

        54                     LET IT GLOW
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