Page 19 - ArchDC_Spring 2021
P. 19

Lobby.

                           Programmatically, Almeida said, “our biggest      “To avoid a potentially monotonous articulation
                       challenge was creating an amenity package [for   of balconies, we typically implement a few different
                       tenants] that rivalled neighboring, much larger, new   strategies: integrate balconies into a larger massing
                       developments. By creating a glassy, double-height   gesture, minimize their occurrence or appearance on
                       lobby and a mezzanine level that opened up to the   primary building facades, and provide guardrails that
                       street, and centering co-working, leasing, and fitness   are more solid or decorative in appearance,” Almeida
                       amenities around this space, we were able to mitigate   said. “Cladding [the balconies on the 8th Street side] in
                       the impact of having nine-foot, eight-inch floor-to-floor   glass and spacing them closer together allows them to
                       heights and visually enlarge the quantity of public   dematerialize or be read as one larger massing gesture,
                       spaces that the building provides to tenants, which    depending on the angle from which they’re viewed.”
                       are comparatively large for a building with just over      On the building’s less-visible alley side, he
                       100 units.”                                     added, “we gave ourselves more leeway, providing
                          RD Jones’s designs for the building’s lobby and   as many balconies as possible. Driven by the owner’s
                       amenity spaces, “are masterful in carrying the exterior   requirements, we aimed to provide a balcony for
                       design concept into the public spaces of the property,”   every single alley-facing unit—a feature that further
                       Almeida said. Materials used in these spaces include   distinguishes this multi-family product from
                       light- and dark-toned wood, large-format porcelain tile,   competing properties. We enlivened the resulting field
                       and concrete grey textures. Gender-neutral restrooms   of balconies by taking the same shape and mirroring it
                       in the amenity spaces, Almeida added, “not only   back and forth as you go up the building. The result is
                       serve as a display of inclusivity to a diverse resident   an angular geometry that is consistent with the larger
                       population, but are also a great way to minimize the   massing [features] of the building, creating an atypical
                       footprint of what would otherwise be large facilities   gesture that injects a bit of controlled chaos into an
                       serving relatively modestly sized amenities.”   otherwise quiet elevation, and surprising passersby
                          The building’s eight penthouse-level units have   who catch a glimpse of this playful display through the
                       their own rooftop terraces, as do some third- and   narrow alley entrances.”
                       fourth-floor units. Other units have balconies, raising      Balconies “often can become de facto storage units
                       a perennial challenge in the design of apartment   for bikes, plastic furniture, etc.,” he added. “To soften
                       buildings: how to include a lot of balconies without   the appearance of these personal belongings, we
                       creating an arrangement that looks annoyingly   implemented a different type of guardrail for the alley
                       repetitive or even dehumanizing.                balconies: a tightly perforated metal, lending more
                                                                       uniformity and dimension.”


                                                                              ALL THE RIGHT ANGLES                17
   14   15   16   17   18   19   20   21   22   23   24